"What's the difference between them and us?" Classics and Ecocriticism in the Classroom

Essay by Ryan Tribble

When I first taught from Ancient Exchanges in my Spring 2021 course titled "Interpretation of Ancient Literature," only one student sat in the hybrid classroom while, online, twenty-nine others also contributed to our discussion of Mary Hamil Gilbert's translation of Anyte, a poet from the Greek Anthology, a translation for which I was initially challenged to find. Ancient Exchanges soon became a welcome resource of delightful reading excursions to which I again turned for my Fall 2021 in-person version of this course based upon my research on Classics and environmental humanities. If I were to teach the course again, I would love to incorporate these new translations into my syllabus, especially Jamie Banks' "Natural Investigations,” a translation in which Seneca, contemplating ants, asks “What’s the difference between them and us, besides the extent of their tiny bodies?”

Seneca's question is an overarching question for my environmental humanities course in which we explore how ancient authors and modern readers define who is human, and who is not. Banks' translation of the original title, Quaestiones Naturales, is also quite thought provoking and so could serve as the basis for a short, in-class writing prompt: If Seneca were writing his Natural Investigations today, would he frame his approach as natural history or ecology? Such a question helps bridge conceptual incongruities between Seneca's Stoic Natural Investigations and modern literary ecology. In this course, students read, discuss, and write about a diverse selection of texts with an eye toward “recognizing the importance of discursive pasts for material presents” and “recognizing the importance of how present concerns shape our inquiries into the past” (Estok 8). Indeed, present concerns shape Ancient Exchanges and that is why I think that students love these relevant translations. Ancient Exchanges' statement of purpose, a "response to the experiences of exclusion, limitation, and gatekeeping within the field of Classics" supports my pedagogical goals for translating ancient environmental problems into the modern classroom. The commitment to "multicultural, multilingual, and polyvocal" mediums achieves the ethical goals for texts that Harriet Tarlo argues are necessary to “[destabilize] single perspectives in favor of multiple ones” (125). This presents environmental problems as communal problems in need of collaborative solutions and collective action. The surmounting anxieties weighing upon our minds exceed the scope of any humanities course, but, as one student remarked, it is comforting "to understand that not everyone feels apathy." This essay then is a reflection on my experiences adapting Ancient Exchanges to my environmental humanities course. I first begin with a brief overview of the course's structure and pedagogical goals about which more may be found in the tab above. I then relate my initial in the classroom experiences with Ancient Exchanges before closing with some final thoughts on Seneca's ants.

To prepare students to unpack and historically contextualize the rhetoric of nature, I adapted Kevin Hutchings' approach by dividing my course into four conceptual units: 1) Vantage Points; 2) Classic Topographies; 3) Flora and Fauna; 4) Schools of Nature. In Vantage Points, we consider how a text views or frames nature, whether from an anthropocentric vantage delineating nature as separate from culture; or from an androcentric vantage where domination of nature is gendered and usually for the benefit men (Cowan); or from a biocentric vantage, the degree or deficit to which the text accurately tells nature's story, a relatively rare vantage point in ancient literature (Buell). In Classic Topographies, we consider landscape representations, whether pastoral, georgic, or geographic ethnography (Sayre; Thomas 1982). In Flora and Fauna, we consider the representation of plants and animals, especially anthropomorphic (humanized animal) or zoomorphic (dehumanized human) (Garrard). Finally, in Schools of Nature, for the sake of time, we limit our focus to Stoic and Epicurean theories about humankind's place in nature. As much as possible, I also provide short, non-specialized nature-themed essays that are thematically related or influenced by ancient texts to memorably introduce tools for interpreting literary representations of nature without additional academic jargon. Notably, not all but many of the translations in this journal easily fit into one of the above units, especially with reference to the translators’ notes.  

In the Flora and Fauna unit of the hybrid class, I first assigned Robert Carpenter's "Mind the Gaps," and Mary Hamil Gilbert's "The Animal Epigrams of Anyte of Tegea." I later added to these Dan Beachy-Quick's "Eighteen Fragments" for the in-person class. "Mind the Gaps" works for confronting issues of a "classical canon," gender biases, and, even, ecology. Ecology, as students remark, is an anachronism. Yes, but an anachronism indebted to the past since the biologist Ernst Haeckel, Darwin's student, combined Greek words to coin a term for what is the study of (logos) one's planetary dwelling (oikos), the environment. Most significantly, ecology emphasizes delicate interconnections to the extent that "no species is an island" (Netz 229). For the ancient Greeks, perhaps the nearest conceptual equivalent to a generalized understanding of ecology is Eros, the god of desire and the unifying impulse that binds organisms together. A useful parallel for this cosmic Eros is Michael Pollan's Botany of Desire, wherein he tells a natural history of how human desire for monoculture's aesthetically pleasing food is not without disastrous, anthropogenic consequences. Contextualizing the metaphors of desire with ecology helps us to read Sappho again: what are the environmental consequences of the desire for "an army of horses" or "footmen" as opposed to desire for "whatever someone loves"?  The consequences of desire become clear when further comparing Sappho's poem to how Herodotus traces the political alliances and environmental problems of his day back to the forceful abductions of women by men (Hdt. 1.1-5). Our desires are not without ecological consequences.

"Mind the Gaps" also conveys the textual uncertainties of the manuscript tradition, often a difficult concept to discuss with students for the first time. These gaps quickly became a useful metaphor to rethink the issue of teaching just the canonical nine Lyric poets, the traditional approach. Why continue to teach an arbitrary canon that deprives students of lesser-known authors such as Anyte, a Hellenistic poet in the Greek Anthology? I confessed to my students that we were departing from the usual approach to the Lyric Poets and assigned Mary Hamil Gilbert's "The Animal Epigrams of Anyte of Tegea" along with Dan Beachy-Quick's "Eighteen Fragments" to explore how humans represent their relationship with the nonhuman world. Anyte avoids "big-organism chauvinism" (Wilson 178) by writing about a seemingly insignificant rooster, cricket, or cicada. To interpret the animal epigrams with attention to gender biases (androcentrism), I prompt the class to ponder how Anyte and Sappho depict nature radically different than, for example, Semonides' zoomorphic and misogynistic fragment 7, in which he taxonomizes his perceived traits of women according to different animals. Students eventually choose a short poem to perform in a poetry slam at the end of the third unit. One student memorized and gave a rather moving performance of fragment 17, Xenophanes’ anecdote of Pythagoras rebuking a man for animal cruelty. Another student rapped to Anyte's poetry and remarked that "'For a Dog' became too personal" reminding of the loss of their Dachshund. These open access translations of Anyte and Xenophanes published by Ancient Exchanges render these poets the attention that they deserve and the accessibility that students need.

To trace our way back to Seneca's musings about ants, I would love to hear students respond to his question as translated by Banks: "Were someone to give ants human intelligence, wouldn't they too carve up one region into many districts?" By the end of the course, I hope to have enabled students with strategies for analyzing Seneca's rhetoric of nature. Considering Vantage Points, students can identify Seneca's binaries defined by an anthropocentric definition of intelligence. Students could also consider the underlying androcentric binary implied by "intelligence," a word which evokes the masculine presentation of the universal spirit described by the Stoic "School of Nature." Seneca's "districts" recalls the Classic Topographies in the Hippocratic Airs Waters Places, a proto-ecological text that advises itinerant physicians to factor the environment into their medical practice (Bearzot). Students may pay attention to the Flora and Fauna in the text by following Seneca's allusive "black column" of ants to the simile in Aeneid 4.404, where Vergil compares the Trojans plundering Northern Africa to ants. Here I might point out that Vergil is quoting Ennius, who in turn describes Hannibal's line of invading elephants. As a class, we could consider whether Seneca understands Vergil's subversive ecological lesson as brought out in Banks' translation, "the gold that we hoard privately to feed our descendants' greed." The Trojans’ exploitation of Carthage's natural resources establishes precedent for Hannibal to invade Italy, like ants following  pheromones to the picnic, in a war which results not in the environmental warfare of salting the earth but in the institutional and agricultural suppression of future Carthaginians (Stevens). Banks is right. Seneca does tend to get on one's "nerves." 

Environmental history often turns to the metaphors of seeds and roots. We can trace a root of Seneca's Natural Investigations back to Airs Waters Places. A popular text in antiquity often referenced by poets (Thomas 1982), Airs Waters Places influenced how Greeks and Romans carved up the geography for their respective empires. Moreover, the further removed from Athens or Rome, the self-appointed geographic and ethnic golden means, the more animal-like other cultures were considered (Glacken). It is worth the effort to confront these “classic” (Thomas 2021) and environmental (Uekötter) problems responsibly and tactfully in the classroom. One student noticed the relevance of tracing roots of the past after attending "The Quest for Environmental and Climate Justice," an invited lecture by Dr. Robert Bullard, the father of environmental justice. The student remarked, "I was shocked" and "not aware of environmental racism . . . it is mentally defeating knowing your community is being polluted due to your race." In a different instance, another student confronts the metaphor of seeds in an essay comparing a U.S. Representative's claim about "souls woven into earthen vessels" to Aeschylus' Eumenides 655-670, wherein, at the legendary birth of Athenian democracy, the "contempt towards women and nature" bares its teeth with "rhetoric [that] strips [Clytemnestra] of [her] reproductive rights." Applying the methods taught in this course, this student brilliantly deconstructs the gendered metaphor of sowing while tracing the troubling fruition of this ancient ideological seed even in modern, policy-influencing discourse. 

When it comes to nature, students tend to express strong opinions. So, posing Seneca’s question to a diverse group of students over the course of a semester is an opportunity for constructive dialogue that is at once challenging, thrilling, and terrifying. Despite the inherent sexism, racism, and imperialism of antiquity, despite the problems of projecting anachronisms onto the past, reading, teaching translating, and retranslating ancient texts helps us come to terms with who we are and who we want to become as citizens in this diverse world of organisms, "tiny bodies" and all.


Bibliography

Armstrong, Rebecca. Vergil's Green Thoughts: Plants, Humans, and the Divine. Oxford: Oxford University Press, 2019. Print.

Bearzot, Cinzia. "Ancient Ecology: Problems of Terminology." Pollution and the Environment in Ancient Life and Thought. Ed. Cordovana, Orietta Dora. Stuttgart: Franz Steiner Verlag, 2017. 51-60. Print.

Buell, Lawrence. "Glossary of Selected Terms." The Future of Environmental Criticism: Environmental Crisis and Literary Imagination. Malden, MA: Blackwell, 2005. 135-148. Print.

Bullard, Robert. "The Quest for Environmental and Climate Justice." University of Iowa. March 1, 2021.

Cowan, Robert. "Mothers in Arms: Toward an Ecofeminist Reading of Vergil’s Georgics." Vergilius 67 (2021): 183-206. Print.

Estok, Simon C. "Doing Ecocriticism with Shakespeare: An Introduction." Ecocriticism and Shakespeare: Reading Ecophobia. New York: Palgrave Macmillan, 2011. 1-17. Print.

Garrard, Greg. "Animals." Ecocriticism. London: Routledge, 2011. 146-80. Print.

Glacken, Clarence J. "Airs, Waters, Places." Traces on the Rhodian Shore. Berkeley, Los Angeles, London: University of California Press, 1967. 80-115. Print.

Hutchings, Kevin. "Teaching Romantic Ecology in Northern Canada." Teaching Ecocriticism and Green Cultural Studies. Ed. Garrard, Greg. New York: Palgrave Macmillan, 2012. 49-59. Print.

Netz, Reviel. Barbed Wire: An Ecology of Modernity. Middletown: Wesleyan University Press, 2004. Print.

Plant, I. M. Women Writers of Ancient Greece and Rome: An Anthology. University of Oklahoma Press. 2004. Print.

Pollan, Michael. The Botany of Desire: A Plant's-Eye View of the World. Random House trade pbk. ed: Random House, 2002. Print.

Sayre, Laura. "Apocalyptic? No, Georgic! Literary Agroecology from Virgil to Silent Spring." Toward a Literary Ecology: Places and Spaces in American Literature. Eds. Waldron, Karen E. and Rob Friedman. Lanham, MD: Scarecrow Press, 2013. 103-20. Print.

Schliephake, Christopher. "Profile Ecocriticism and Ancient Environments." The Classical Review (2022): 1-4. Print.

Stevens, Susan T. "A Legend of the Destruction of Carthage." Classical Philology LXXXIII (1988): 39-41. Print.

Tarlo, Harriet. "Recycles: The Eco-Ethical Poetics of Found Text in Contemporary Poetry." Journal of Ecocriticism 1(2) (2009): 114-30. Print.

Thomas, Richard F. Lands and Peoples in Roman Poetry: The Ethnographic Tradition. Cambridge, UK: Cambridge Philological Society, 1982. Print.

—. "Viktor Pöschl’s Virgil and Fascist Aesthetics." Harvard University: Mahindra Humanities Seminars. March 17, 2021. YouTube.

Thomas, Rosalind. "'Wonders' and the natural world: natural philosophy and historie." in Herodotus in Context: Ethnography, Science, and the Art of Persuasion. 2000.135-167. Ebook Central.

Uekötter, Frank. The Green and the Brown: A History of Conservation in Nazi Germany. Cambridge University Press, 2006. Print.

Wilson, Edward O. The Diversity of Life. Belknap Press of Harvard University Press, 1992. Print.

Units & Suggested Readings

Unit 1: Vantage Points: Anthropocentrism, Androcentrism, and Biocentrism
I introduce this unit with Pliny's letter to Tacitus (Epist. 6.16) paired with Ursula K. Le Guin's "A Very Warm Mountain," both first-hand narratives of volcanic eruptions that readily illustrate the vantage points of anthropocentrism (nature/culture binaries), androcentrism (gender biases), or biocentrism (the degree or deficit to which the text tells nature's story). Students also can think about how humans select, categorize, and define nature by beginning with Janet Hendrickson's note on the "supplement" to her larger book which she represents as "To Reduce and Bring Something to Memory." This piece may furnish an analogy for discussing how the wilderness aesthetic excludes "boreal forests and wetlands" (Hutchings 180). 

Other texts which could work for teaching Vantage Points:


Unit 2: Classic Topographies
Next, I introduce Classic Topographies by assigning Rachel Carson's "Fable for Tomorrow," wherein the idealized pastoral description of an American town gives way to an apocalyptic vision describing the degeneration of the town's ecosystem. Carson's essay is effective for introducing Vergil's own use of pastoral and apocalyptic landscapes (Sayre). I also have students read Evelyn White's "Black Women and the Wilderness," an essay about a Black woman's canoe trip to find the source of the McKenzie River and the paralyzing fear experienced when she encounters loggers in the Oregon wilderness. White's essay helps students understand how an idealized landscape can exclude what those in power define as pests, whether weed, mosquito, or person. The rhetoric of nature, which often defines who has rights and who does not, is inseparable from the rhetoric of gender. White's paralyzing fear becomes a vantage point for interpreting the death of Nisus and Euryalus, two Trojan friends who ventured to reconnoiter the enemy camp under the cover of night only to lose their way in a dark, tangled forest (Vergil, Aeneid 9.176-449). Students discover that the natural metaphors of ancient texts often objectify, dehumanize, or classify some genders as less than human (e.g., Plato, Symposium 181b-c; 189e-190b; Aristotle, Politics 1254b10-25). Students explore this problem in a creative writing project that challenges them to write a Socratic dialogue that interprets the topography in the story of Nisus and Euryalus by assuming the vantage point of Socrates in Plato's Phaedrus, where he might respond to the Roman hostility to a homoerotic relationship. Vergil and Plato both explore gender paradigms through topography, a theme which Anna Jackson's "Springfall" thought-provokingingly foregrounds.

Other texts which could work for teaching Classic Topographies:


Unit 3: Flora and Fauna
To provide an overview of how authors like Vergil humanize or dehumanize Flora and Fauna, we read Plutarch's "Beasts Are Rational," a dialogue in which Odysseus attempts to persuade a crewman transformed by Circe to become human again. We also read Michael Pollan's "Weeds Are Us," an essay that reflects on the gardener's desire for a controlled order of useful plants and the misguided war against weeds. Pollan's essay is fun to read back-to-back with Jason's battle with the Spartoi, or sown men, in the Argonautica (Apollonius of Rhodes 3.1363-1370). In conversation with Orpheus' ability to cause trees to march in the Argonautica, students could discuss the "hybrid geographies" (Cloke and Jones) of the plants in Anna Jackson's "Sunlit." Ovid, like Vergil, evokes horror or empathy, depending on whether the flesh torn at the end of "Sunlit" is human or nonhuman. Complementing Ovid's vegetal violence, Lily Stewart's "Fated" and "Reprieve" elegantly condense how Vergil's animals appeal to our modern empathies and prompt us to consider why he compels us to empathize with nonhumans in the text, especially considering how the Aeneid ends. Aside from Vergil and Ovid, Noh Anothai's "Four Proverbs from the Guide to the World" furnishes opportunity to discuss cultural exchanges between the east and west. For example, the class could compare "The Cobra and the Scorpion" to the scorpion in Praxilla fragment 4 and "The Sweetest Thing" to the vegetables in Praxilla fragment 1.

Other texts that work for Flora and Fauna:


Unit 4: Schools of Nature
Finally, I frame Schools of Nature from the vantage point of Lynn White Jr.'s thesis that "Human ecology is deeply conditioned by beliefs about our nature and destiny"(9). We read John Muir's "Cedar Keys" paired with Lucretius' "Hymn to Venus" (Lucretius 1.1-49) and the argument that the world does not exist for human pleasure (Lucretius 5.156-234). Conversely, reading Aratus' "Hymn to Zeus" (Arat. 1-18) along with Jamie Banks' "Natural Investigations" provides a comprehensible overview of Stoic approaches to nature. The Stoic emphasis of nature's masculinity (Zeus) presents a poignant contrast to the Epicurean emphasis of nature's femininity (Venus)(Clark 29-40). Furthermore, class discussion could contextualize the encounters with science in Mary Jo Bang's "Paradise" against the Stoic's approach to physics as theology (Jedan). These readings prepare students to apply their knowledge and identify the Stoic and Epicurean themes which Seneca often integrates into his tragedies, as excerpted in Julie Levy's "Juno’s Lament."

Other texts that work for Schools of Nature:


Bibliography

Carson, Rachel. "A Fable for Tomorrow." Silent Spring. Boston: Houghton Mifflin Company: Cambridge [Massachusetts], 1962. 1-3. Print.

 Clark, Robert David. "Natura Creatrix : The Matter of Meaning in the De Rerum Natura." Columbia University, 2000. Print.

Cloke, Paul, and Owain Jones. "Turning in the Graveyard: Trees and the Hybrid Geographies of Dwelling, Monitoring and Resistance in a Bristol Cemetery." Cultural Geographies 11.3 (2004): 313-41. Print.

Hutchings, Kevin. "Ecocriticism in British Romantic Studies." Literature Compass 4 (2007): 172 - 202. Print

Jedan, Christoph. "A Lighter Shade of Green: Stoic Gods and the Environmental Virtue Ethics." Ecology and Theology in the Ancient World. Ed. Hunt, Alisa and Hilary Marlow: Bloomsbury Academic, 2019. 49-61. Print.

Le Guin, Ursula K. "A Very Warm Mountain." Norton Book of Nature Writing. Ed. Finch, Robert; John Elder. New York: W.W. Norton & Company, 2002 [1980]. 651-57. Print.

Muir, John. “Cedar Keys.” John Muir: The Eight Wilderness Discovery Books. London: Diadem Books: Seattle, 1992. 156-161. Print.

Pollan, Michael. "Weeds Are Us." Norton Book of Nature Writing. Ed. Finch, Robert; John Elder. New York: W.W. Norton & Company, 2002 [1991]. 1079-1090. Print.

Sayre, Laura. "Apocalyptic? No, Georgic! Literary Agroecology from Virgil to Silent Spring." Toward a Literary Ecology: Places and Spaces in American Literature. Eds. Waldron, Karen E. and Rob Friedman. Lanham, MD: Scarecrow Press, 2013. 103-20. Print. 

White, Evelyn. "Black Women and the Wilderness." Norton Book of Nature Writing. Ed. Finch, Robert; John Elder. New York: W.W. Norton & Company, 2002 [1999]. 1063-1067. Print.

White Jr., Lynn. "The Historical Roots of Our Ecologic Crisis." Ecocriticism Reader. Ed. Glotfelty, Cheryll.: Athens and London: University of Georgia Press, 1996 [1967]. 3-14. Print.

Ryan Tribble


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